This year,  SmoothViews had the opportunity to join the 
2012 Smooth Jazz Cruise, A/K/A, “The  Greatest Party at Sea,” and we were very excited.  What could be better than a whole week at sea  surrounded by fellow smooth jazz lovers, visiting wonderful Caribbean ports of  call, and listening to great music performed by some of the best musicians in  the business?
              
              Let’s talk  about “The Greatest Party at Sea” which took place on Holland America Line’s  Westerdam.  This is more than just a  vessel, this is a floating hotel.  The  first thing that stood out for us was the attention to detail; the little  touches that made a difference.  For  example, a daily newsletter awaited us in our cabin upon arrival and every  evening, which showed the next day’s schedule of events, and port, or day of  cruising.  The schedule portion of the  newsletter was perforated so people could fold it up and take it with them.  You could always access that info without  having to take the whole newsletter with you.   Also, one of the nightly gifts we received was a poster to be  autographed, but we were given the silver sharpie as well.  Cruisers were also given a color spiral bound  book which contained a welcome message from Michael Lazaroff, Executive  Director of Entertainment Cruise Productions, the week’s schedule, a line-up of  the artists and musicians, a listing and acknowledgement of Entertainment  Cruise Productions staff, the production team, information on the hospitality  desk, and several blank pages of paper.  The  attention to detail made a big difference.  
              
              The next thing we found noteworthy was the organization and timeliness of  events.   For the most part, concerts and events  happened on time.  Cruisers were not kept  waiting for everyone to get their acts together, because the acts were  together.  Everything was run in a timely  manner without being regimented.   Finally, before the first concert began, Michael Lazaroff welcomed  everyone, both returning cruisers and newbies, to the cruise. And before the  last concert began, he thanked us all for coming and welcomed all of us into  the Smooth Jazz Cruise family. Everything was top notch and done well. 
              
              The schedule  was so jammed packed that It was impossible to go to every concert and event.  If you are someone who likes to have  something to do all of the time, you were covered... well into the night!  If you are someone who likes to take a break,  relax by the pool or on your stateroom veranda, or turn in early, you were  welcomed to do just that.  You could set  your own pace.
              
              Now, let’s  talk about the music.  It was a packed  line-up, which included David Sanborn, Marcus Miller, Jonathan Butler, Gerald  Albright, Candy Dulfer, Boney James, Larry Braggs, Rick Braun, Brian  Culbertson, Eric Darius, DW3, Jeff Golub, Euge Groove, Rahsaan Patterson,  Patrice Rushen, Joe Sample, Brian Simpson, Kirk Whalum, Peter White, comedian  Alonzo Bodden, MC Dane Butcher, and event host Pat Prescott. While we could not  attend every show, we attended as many as we could.  Each night there were two one-hour concerts,  back-to-back.  On our first night, our  first show was Rick Braun and Jonathan Butler in the main concert venue.  
              
              Day 2 – Nassau, Bahamas.  While some people were battling  cases of seasickness, including a few of the musicians, the shows  continued.  After returning from a  trek around the town of Nassau, we saw “A Collaboration  of Keys” hosted by Marcus Miller and featuring Chance Howard, Brian Simpson,  Brian Culbertson, and Joe Sample.  It was  so interesting to see Brian Culbertson on drums and then that same drum kit  taken over by Marcus Miller.  We soon  came to learn that there are very few instruments Marcus doesn’t play!  The evening concerts were Joe Sample and  David Sanborn - two icons in the smooth/contemporary jazz world - with the most  amazing band that included Andre Berry AND Marcus Miller engaging in a dueling  bass face-off!  From the very first song,  Sample, Sanborn, and the band just went for it.   There were no holds barred by anyone onstage.  
              
              Day 2 –  At See.  We started the day off with Jonathan Butler's Gospel Show - a crowd favorite.  He was joined on stage by Tom Braxton, Ellis Hall Marcus Miller, Candy Dulfer, Rick Braun, Euge Groove, Kirk Whalun, and his daughters, Jodie and Randy. Later that afternoon we sat in on  “Guitars Get Together with Jeff Golub, Jonathan Butler, Peter White, and Marcus  Miller.  It was great to hear things  about each artist that we may not have already known, such as who their  influences were when they started out.   The evening concerts were Candy Dulfer and Brian Culbertson.
              
              Candy puts  the funk into everything she does.  Her  show was high energy sax combined with vocals.   Her backup band included more top notch musicians:  Chance Howard, Oscar Seaton, Ramon Yslas, Ron  Reinhart, Matt Rhode, Andre Berry, Randy Jacobs, Tom Braxton, and Patches  Stewart.  Whew!  And what better way to cap off the evening  with yet another high energy show with Brian Culbertson.  Brian gives the people exactly what they want  – an energy infused show full of dramatics.   That’s why people flock to Brian’s shows.  Brian brought out Eric Darius to play  alongside him.  Eric’s energy level  matches Brian’s and always means a great show.
              
              Day 3 – St.  Thomas, USVI – This was the Artist Choice concert, where each headlining artist  got to choose one song that meant something to them in their lives.  It didn’t even have to be one of their songs.  Rick Braun chose to do the Bill Withers hit  “Use Me,” that he made his own years ago.   What made this special was the incredible horn section that backed him  that night: Brian Culbertson on trombone, Boney James, Euge Groove and Tom  Braxton on saxophone, and Patches Stewart on trumpet.  
              
              Another  special moment during this show was watching Eric Darius perform.  He is such a talented and energetic  performer, and that was not lost on David Sanborn.  He watched Eric’s entire performance from the  wings, and when it ended, and the crowd rose to their feet to give Eric the  standing ovation he deserved, Sanborn came onstage and gave him a big hug.  It was a great moment to see. 
              There were  several standing ovations that night, including Brian Culbertson and Eric  Darius on BC’s “Our Love,” Joe Sample and Marcus Miller for Sample’s “Hippies  on the Corner.”  It was a night of  absolutely incredible bands with musicians seamlessly rotating in and out  throughout the night.  We really enjoyed  the concept of the Artist Choice concert.   It gave us a lot of good music without being too taxing on any one  musician, with the exception of percussionist Ramon Islas, (dubbed by all as  the hardest working musician onboard) who began playing that night from the  first show at 6:30pm until the last show ended around midnight.
              
              Day 4 – St.  Barth’s, FWI – After spending a few hours on the exclusive (by exclusive, we  mean expensive) island of St. Barth’s, we were ready for that night’s show -  Peter White and Kirk Whalum.  Peter put on a great show, and even played  some music from his soon to be released new album 
Here We Go.  Boney James, Kirk Whalum, and Tom Braxton  made guest appearances during Peter’s set.   Talking to Peter White the next day, he said that the song Boney came  out to play with him during his show was a song they recorded together nearly  18 years ago, and had not played it together since.  He was amazed that after all that time, Boney  still remembered almost every nuance of how to play the song when they were in  rehearsals. 
              
              Kirk has a  just released new album, 
Romance Language, and he played  music from it, as well as his past hits, many of them fan favorites.  He also told us about a Bluetooth speaker 
JAMBOX by Jawbone, and held a raffle to win a free one.
              The late  show was David Sanborn’s Night Music, based on the TV show of the same name he  hosted back in the late 80s.  This show  featured Sanborn, Joe Sample, and Marcus Miller, but most of the headliners  made appearances during this set.  At one  point, there were eight sax players on stage. The songs were not really  rehearsed; this was mostly improvisation on their part.  This says a lot about the talent, not just  from the headliners, but from the bands as well.
              
              Day 5 – At  sea – We headed up to the Crow’s Nest (the very top deck at the bow of the  ship) for “A History of Jazz with Joe Sample, hosted by Pat Prescott.  It was a fascinating hour listening to Joe’s  recollections of his experiences. The evening’s featured concert was Euge  Groove and Boney James.  Boney has got to  be one of the coolest musicians on the scene, and he put on a fabulous show.  It’s always great to hear Boney play.  He  also played many of the audience favorites as well as material from his latest, 
Contact.  Euge, who also has a great album out, 
Seven  Large, gave a couple of CD’s away to the people in the audience who  danced the best.  The only rule in the  contest was to keep your clothes on.   Usually, it’s only women who enter and win Euge’s dance contest, but  this time both a woman and a man won.  
              
              Day 6 – Half  Moon Cay, Bahamas – We took in a couple of the seminars being offered on this  cruise.  It’s a Drummers World featured  the drummers (and percussionist) who spent the week holding it down for the  headliners: Third Richardson, Oscar Seaton, Jay Williams, Charles Streeter and Ramon Yslas.  It was interesting to hear how they got  started and hearing their perspectives on various gigs they’ve played.  One thing they mentioned that we took note of  was the importance of having a good audience to play to.  This is not a problem in our world because  smooth jazz fans really value the music.   We’re always ready to show our appreciation to talented musicians.    We  also caught the end of Let’s Talk About Sax, featuring Gerald Albright, Eric Darius,  Euge Groove, Boney James, Candy Dulfer, David Sanborn, and Kirk Whalum.  Every sax player on stage mentioned how David  Sanborn had been a huge influence on their careers.  
              
              The final  concert night featured Gerald Albright and Marcus Miller.  Both performers were excellent and put on  fantastic shows.  There is much love for  Gerald Albright in the smooth jazz community; he’s talented and respected, both  by musicians and fans alike.  Selina  Albright, a wonderful vocalist in her own right, joined her dad on stage for a  song or two.  Every song Gerald played  was met by enthusiastic applause.
              
              They truly  saved the best concert for last.  Marcus  Miller took us through his musical life from when he grew up in Jamaica, Queens  (NYC), through high school at Music & Art HS in Harlem, through his first  professional gigs at age 18-19, and through most of the 80s.  (He tried to take us through to present day  but there wasn’t enough time.)  Marcus  played many of the songs he wrote for other musicians, including Miles Davis  and Luther Vandross.  When we do our On  the Side feature, one of the questions we ask the musicians is who they would  love to play with.  Without a doubt, the  top answer is Miles Davis.  Marcus Miller  is one of the few musicians who can say that they’ve done that.  We’ve seen other shows where musicians will  chronicle their lives and tell stories, but it oftentimes seems like they’re  just bragging and name dropping, and results in a boring show.  This was not the case with Marcus  Miller.  What you see is what you  get.  Yes, he’s extremely talented and he  has worked with, played, written and/or produced for some of the biggest names  in music industry, but that’s his life, and that’s the way it is; straight up  and without question.
              
              We would be  amiss if we did not mention the three bands that backed every musician playing  aboard the ship during the week: Andre Berry, Brandon Coleman, Randy Jacobs,  Gerey Johnson, Nathanial Kearney Jr., Nate Phillips, Ron Reinhardt, Matt Rhode,  Third Richardson, Oscar Seaton, Dwight Sills, Patches Stewart, Jay Williams, and  Ramon Yslas.  The amount of material they  had to learn was staggering.  We have  brought you the stories of many of these talented musicians in our On the Side  feature, and we look forward to bringing you some more.  And pulling all of that together as musical  director was the very talented Brian Simpson.
              
              So, in  between the beautiful ports of call, the amazing concerts, the delicious food,  the cocktails, the dancing on deck to the music of DW3, and in the Crows Nest  Lounge with DJ Jazzy Jeff, splitting our sides laughing with Alonzo Boden, and taking  in the seminars, there was very little time to sleep, so our respective employers  will forgive us if we need a vacation to recover from our vacation.
              
              One final  thought on the 2012 Smooth Jazz Cruise; there was a big sense of community and  camaraderie on this ship.  Everyone was  so friendly. Over half of the people onboard have sailed on these cruises before,  and will sail again in 2013 and beyond.   We met and saw people there from every state in the union and many  countries around the globe: Mozambique, Ghana, Brazil, Canada, Germany, and New  Zealand, to name a few.  This is  reflective of the smooth jazz community as a whole.  It reminded me of a line from an old movie I  once saw where one of the characters tells another, “We’re not strangers.  We’re just friends who haven’t met yet.” That  sums up the smooth jazz community. It was a wonderful week, one that we will  never forget, filled with old friends, new friends, wonderful places, and above  all else, great music.